–– Exhibition Review, “the collection. curated by krist gruijthuijsen,” FAHRBEREITSCHAFT, Berlin, in: Texte zur Kunst, November 17, 2023.

–– Exhibition Review, “Illiberal Lives,” Ludwig Forum Aachen, in: springerin 29, No. 3, Fall 2023.

–– Exhibition Review, “Yto Barrada: Bad Color Combos,” Stedelijk Museum, Amsterdam, in: Texte zur Kunst, April 28, 2023.

–– Artist Profiles, “Chen Chieh-Jen,” “Kresiah Mukwazhi,” and “SoiL Thornton.” Vienna Secession, Exhibition Program 2023.

–– Book Review, “Kuba Szreder: The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester University Press, 2021).” in: springerin 28, No. 3, Fall 2022.

–– Exhibition Review, “Gruppendynamik: Kollektive der Moderne,” Lenbachhaus München, in: springerin 28, No. 2, Spring 2022.

–– Exhibition Review, “Renée Green: Inevitable Distances.” KW Institute for Contemporary Art and daadgalerie Berlin, in: Art Papers Online, February 9, 2022.

–– Book Review, “Matthew Fuller/Eyal Weizman, Investigative Aesthetics: Conflicts and Commons in the Politics of Truth (Verso, 2021).” in: springerin 27, No. 4, Winter 2021.

–– Book Review, “Sebastian Mühl, Utopien der Gegenwartskunst: Geschichte und Kritik des utopischen Denkens in der Kunst nach 1989 (transcript, 2020).” in: springerin 26, No. 4, Winter 2020.

–– Artist Profile, ”Lawrence Abu Hamdan.“ Vienna Secession, Exhibition Program 2020. [PDF en] [PDF de]

–– Book Review, “Jonas Staal, Propaganda Art in the 21st Century (MIT Press, 2019).” in: Third Text Online, January 2020. [PDF]

–– Book Review, “Nora Sternfeld, Das radikaldemokratische Museum (De Gruyter, 2018).” in: springerin 25, No. 3, Summer 2019.

–– Exhibition Review, “Hate Speech: Aggression und Intimität.” Halle für Kunst und Medien Graz, in: springerin 25, No. 2, Spring 2019.

–– Essay and Lecture Report, “Notes on Claire Bishop’s lecture Information Overload: Research Based Art and the Politics of Spectatorship.” in: Kunsthalle Wien Blog, January 22, 2019. As the Kunsthalle Wien's former blog is discontinued, please see here. 

–– Exhibition Review, ”Anna Boghiguian.“ Museum der Moderne Rupertinum, Salzburg, in: Art Papers 42, No. 3, Fall 2018. [PDF]

–– Exhibition Review, “20 Propositions.” Salzburger Kunstverein, in: springerin 24, No. 4, Fall 2018. [PDF]

–– Conference Report, "Notes on Antarctica. A Symposium on Alienation.“ in: Kunsthalle Wien Blog, October 12, 2018. As the Kunsthalle Wien's blog is now permanently offline and discontinued, please see here.

–– Exhibition Review, “Martha Rosler & Hito Steyerl: War Games.” Kunstmuseum Basel, in: springerin 24, No. 3, Summer 2018. [PDF]

–– Exhibition Review, ”Ydessa Hendeles: Death to Pigs.“ Kunsthalle Wien, in: Flash Art 321, June-August 2018. [PDF]

–– Performance Review, ”Claudia Bosse / theatercombinat: 168 Stunden.“ in: viereinhalbsaetze and reprinted in TQW Magazin. This short contribution is one of the results of a writing workshop on contemporary dance at Tanzquartier Vienna. 

–– Essay, ”Decolonizing the Ethnographic Museum: Contemporary Art and the Weltmuseum Wien.“ in: Art Papers 42, No.1, Spring 2018. [PDF]

–– Performance Review, ”Sprichst Du Atem? Christoph Chwatal über Something’s in the Air.“ in: Tanzquartier Wien Magazin, February 15, 2018.

–– Exhibition Review, ”Tidalectics.“ Thyssen-Bornemisza TBA21–Augarten, Vienna, in: Art Papers 41, No. 4, Winter 2017/2018. [PDF]

–– Artist Profile, ”Elaine Reichek.“ Vienna Secession, Exhibition Program 2018. German and English. [PDF]

–– Artist Profile, ”James Richards and Leslie Thornton.“ Vienna Secession, Exhibition Program 2018. German and English. [PDF]

–– Exhibition Review, ”After the Fact: Propaganda in the 21st century.“ Kunstbau München, 2017, in: Spike Art Quarterly 53, Winter 2017. [PDF]

–– Exhibition Review, ”Francis Alÿs: Le temps du sommeil.“ Secession, Vienna, in: Art Papers 41, No. 2, Summer 2017. [PDF] A revised, translated version of this review was awarded the AICA Austria Prize for Young Art Criticism. 

–– Exhibition and Performance Review, ”Anne Imhof: Angst.“ Kunsthalle Basel and Hamburger Bahnhof, 2016, in: Art Papers 40, No. 6, November/December 2016. [PDF]

–– Exhibition Review, “the collection. curated by krist gruijthuijsen,” FAHRBEREITSCHAFT, Berlin, in: Texte zur Kunst, November 17, 2023.

–– Exhibition Review, “Illiberal Lives,” Ludwig Forum Aachen, in: springerin 29, No. 3, Fall 2023.

–– Exhibition Review, “Yto Barrada: Bad Color Combos,” Stedelijk Museum, Amsterdam, in: Texte zur Kunst, April 28, 2023.

–– Book Review, “Kuba Szreder: The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester University Press, 2021).” in: springerin 28, No. 3, Fall 2022.

–– Exhibition Review, “Gruppendynamik: Kollektive der Moderne,” Lenbachhaus München, in: springerin 28, No. 2, Spring 2022.

–– Exhibition Review, “Renée Green: Inevitable Distances.” KW Institute for Contemporary Art and daadgalerie Berlin, in: Art Papers Online, February 9, 2022.

–– Book Review, “Matthew Fuller/Eyal Weizman, Investigative Aesthetics: Conflicts and Commons in the Politics of Truth (Verso, 2021).” in: springerin 27, No. 4, Winter 2021.

–– Book Review, “Tom Holert, Knowledge Beside Itself: Contemporary Art's Epistemic Politics (Sternberg Press, 2020).” in: Third Text Online, October 2020. [PDF]

–– Book Review, “Sebastian Mühl, Utopien der Gegenwartskunst: Geschichte und Kritik des utopischen Denkens in der Kunst nach 1989 (transcript, 2020)” in: springerin 26, No. 4, Winter 2020.

–– Artist Profile, ”Lawrence Abu Hamdan.“ Vienna Secession, Exhibition Program 2020. [PDF en] [PDF de]

–– Book Review, “Jonas Staal, Propaganda Art in the 21st Century (MIT Press, 2019).” in: Third Text Online, January 2020. [PDF]

–– Book Review, “Nora Sternfeld, Das radikaldemokratische Museum (De Gruyter, 2018).” in: springerin 25, No. 3, Summer 2019.

–– Exhibition Review, “Hate Speech: Aggression und Intimität.” Halle für Kunst und Medien Graz, in: springerin 25, No. 2, Spring 2019.

–– Essay and Lecture Report, “Notes on Claire Bishop’s lecture Information Overload: Research Based Art and the Politics of Spectatorship.” in: Kunsthalle Wien Blog, January 22, 2019. As the Kunsthalle Wien's former blog is discontinued, please see here. 

–– Exhibition Review, ”Anna Boghiguian.“ Museum der Moderne Rupertinum, Salzburg, in: Art Papers 42, No. 3, Fall 2018. [PDF]

–– Exhibition Review, “20 Propositions.” Salzburger Kunstverein, in: springerin 24, No. 4, Fall 2018. [PDF]

–– Conference Report, "Notes on Antarctica. A Symposium on Alienation.“ in: Kunsthalle Wien Blog, October 12, 2018. As the Kunsthalle Wien's blog is now permanently offline and discontinued, please see here.

–– Exhibition Review, “Martha Rosler & Hito Steyerl: War Games.” Kunstmuseum Basel, in: springerin 24, No. 3, Summer 2018. [PDF]

–– Exhibition Review, ”Ydessa Hendeles: Death to Pigs.“ Kunsthalle Wien, in: Flash Art 321, June-August 2018. [PDF]

–– Performance Review, ”Claudia Bosse / theatercombinat: 168 Stunden.“ in: viereinhalbsaetze and reprinted in TQW Magazin. This short contribution is one of the results of a writing workshop on contemporary dance at Tanzquartier Vienna. 

–– Essay, ”Decolonizing the Ethnographic Museum: Contemporary Art and the Weltmuseum Wien.“ in: Art Papers 42, No.1, Spring 2018. [PDF]

–– Performance Review, ”Sprichst Du Atem? Christoph Chwatal über Something’s in the Air.“ in: Tanzquartier Wien Magazin, February 15, 2018.

–– Exhibition Review, ”Tidalectics.“ Thyssen-Bornemisza TBA21–Augarten, Vienna, in: Art Papers 41, No. 4, Winter 2017/2018. [PDF]

–– Artist Profile, ”Elaine Reichek.“ Vienna Secession, Exhibition Program 2018. German and English. [PDF]

–– Artist Profile, ”James Richards and Leslie Thornton.“ Vienna Secession, Exhibition Program 2018. German and English. [PDF]

–– Exhibition Review, ”After the Fact: Propaganda in the 21st century.“ Kunstbau München, 2017, in: Spike Art Quarterly 53, Winter 2017. [PDF]

–– Exhibition Review, ”Francis Alÿs: Le temps du sommeil.“ Secession, Vienna, in: Art Papers 41, No. 2, Summer 2017. [PDF] A revised, translated version of this review was awarded the AICA Austria Prize for Young Art Criticism. 

–– Exhibition and Performance Review, ”Anne Imhof: Angst.“ Kunsthalle Basel and Hamburger Bahnhof, 2016, in: Art Papers 40, No. 6, November/December 2016. [PDF]